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2013 / writer Isao Takahata / Summary Kaguyahime no monogatari is a movie starring Chloë Grace Moretz, James Caan, and Mary Steenburgen. Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady / cast James Caan, Chloë Grace Moretz / genre Fantasy / Liked it 30787 votes. 4:12 Yeah, gotta go fast. The Japanese, you gotta love 'em. Oh, I cry everytime I listen to it. I just can't help it.
Good god, why. Kiki's as a story could translate decently to live action, but all the actors in this production are so... Japanese. Don't get me wrong, I mean culturally Japanese, not ethnically. Like, every modern Japanese actor feels like the exact same actor, and that actor always feels plastic and stiff and mildly passive-aggressive in every scene and role. 
Do you have the lyrics.
Aristocats anyone. Reviewed by: Dare Devil Kid (DDK)
Rating: 4.7/5 stars
Boasting narrative depth, unbridled candor, and exquisite visual beauty, The Tale of the Princess Kaguya" is a modern animated treasure with timeless appeal. Legendary Studio Ghibli cofounder Isao Takahata ( Grave of the Fireflies. Pom Poko" revisits Japan's most famous folktale in this gorgeous, hand-drawn masterwork, decades in the making. One day, an old bamboo cutter finds a princess side a shining stalk of bamboo. Along with his wife, he decides to raise the princess, who's only the size of a finger, but soon grows into an exquisite young lady. When Kaguya grows up, 5 men from prestigious families propose to her. Kaguya asks the men to find memorable marriage gifts for her, but they are unable to do so. Then, the Emperor of Japan himself proposes to her. The mysterious young princess enthralls all who encounter her, but ultimately she must confront her fate.
From the studio that brought you "Spirited Away" 2001. Princess Mononoke" 1997. Nausicaä of the Valley of the Wind" 1984) and numerous other animated classics comes a powerful and sweeping epic that redefines the limits of animated storytelling while marking a triumphant highpoint within an extraordinary career in filmmaking for director Isao Takahata. The Japanese have long been revered as masters of animation, and "The Tale of the Princess Kaguya" is a fitting farewell for one of the genre's greats.
With its sumptuous images and impressionistic storytelling, the film is nothing short of a delicate, stirring fable - both joyous and melancholic. The animation notwithstanding, what makes "Princess Kaguya" stick in emotional terms is its depiction of an extraordinary girl, learning for herself that a life without real joy and spontaneity is only a shadow of a life. A charmingly sad story is sweetly told through breathtaking, hand-drawn sketches to give us a sweeping epic that's lyrical and heartbreaking in ways which most live-action movies can only aspire to. If there's a message here about the foolhardiness of parental expectations and societal conformations, it fades away in the face of the film's rapturous visuals.
The fact that this film is animated using nothing more than a pen, pencil, brush, and watercolors shows that even today 2D done right brings more depth and visual appeal to a story than all the advanced CGI, 3D, razmattaz effects thrown together. Takahata and his team of animators meticulously craft each scene with hand-drawn sketches and mesmerizing textures that perfectly complements the themes of the whimsical story. "Princess Kaguya" boasts one hauntingly beautiful sight after another, seemingly built on nothing more than slight sketches and quick brushstrokes - something Hollywood movie moguls could learn from if they'd ever seek a way out of the exorbitant costs invested in their tech-savvy animated films.
Featuring a heart-tugging story with characters that stay with you, and showcasing some the most gorgeous artwork in Japan's rich anime history, The Tale of the Princess Kaguya" is a spellbinding spectacle that easily takes its position as one of Ghilbi's best works.
Attack on Titan review. Within the last year, much of the world was thrown into shock by two major announcements. One was the (supposed) retiring of Studio Ghibli co-founder, Hayao Miyazaki. The other shock came when rumor spread that the famed studio he was a part of, would most likely shut down…however, still continue to do small animated projects for Miyazaki’s Ghibli Museum, located in Tokyo. However, buried within much of the back-and-forth of the internet, was the information that Ghibli ‘s other co-founder, Isao Takahata, was releasing his first animated feature in over 14 years: The Tale of Princess Kaguya (Kaguyahime no monogatari). The film saw release in Japan during the Fall of 2013, and has just reached American shores, as of October, 2014, for a limited theatrical release. Of the directorial co-founders, Takahata is a less constant than Miyazaki. Since the founding of the studio in 1985, he has only made 5 feature films, including Kaguya. However, each time he releases a film, each one tends to be something special in its own right. Many highly praised his 1988 film Grave of the Fireflies, and one that I found myself appreciating very much, was his 1991 release, Only Yesterday (of which I discussed in one of my postings here). __________ The story of Princess Kaguya, is based on the 10th century Japanese folktale, The Tale of the Bamboo Cutter. Though often changed over the centuries, the central storyline consists of a man who finds a baby within a bamboo stalk. As he and his wife were childless, they happily welcomed the little babe into their lives. As the man cut down more bamboo trees, he found riches within them, and took this as a sign that the girl was a Princess. And thus, decided that she must be raised as one. Takahata keeps much of the tale’s origin woven into his own tapestry on-screen, but does add his own embellishments to the story. He develops a number of characters within the tale, as well as adds his own. Kaguya herself is a wonderful character within the film, one who seems to thrive amid the country where she is born into, as well as in the company of a gang of village children who live near her parents’ hut. This is highly contrasted when she is to begin her life within the confined walls of the city, as her father wishes. At first, being in this new and exciting world is fun to the Princess, but she soon longs for the tranquility she grew up in. We see her find little pockets of happiness here and there, but there are times when she seems to quietly find herself wondering about things. In a weird way, Princess Kaguya almost reminded me of another famous humble beginnings film character. I speak of course, of Charles Foster Kane, from Orson Welles’ Citizen Kane. I can see some possibly taking issue with Kaguya’s placement in this society, but one must remember, it’s not a world that is being run through with modern-day popular-culture or the ‘girl-power’ of films like Brave or Frozen. It shows the sometimes sad realities and sometimes ridiculousness of some past traditions. There does come a moment where Kaguya balks at having her eyebrows plucked and blackening her teeth as part of a traditional dressing, but does so out of obligation to her parents. One gets the impression that she feels an obligation and a familial love towards them, but she is also wrestling with her inner emotions…and possibly, something else? With his 2000 release My Neighbors the Yamadas, Takahata sought to emulate a style similar to the comic strip the film was based on, giving that film a sketchy, watercolor feel. Kaguya almost captures the same feeling, but moreso in a historical context. Much of the style and characters take their cues from the Edo period of Japanese culture and art, though ‘simplified’ into a world of white backgrounds, watercolor, and pencil lines. Even still, the character of Kaguya is drawn differently from the others, looking more like a modern-day depiction of a woman than the Edo style of the 17th century. There’s a great contrast played up when she is put next to Lady Sagami, who is her tutor in how to properly be a Princess (as seen in the image below). Much like Miyazaki, Takahata seems to find a way to bring nature into his film, setting it up with a contrast at times to the modern city (of the time). Much like how the world seems to ‘breathe’ in natural beauty, Kaguya almost does the same. Her youth becomes one of fun memories, and her yearnings for return to that past world, keeps coming back to her, often in emotional ways that seemed to seep into the audience around me. Unlike most filmmakers, Takahata chooses a different composer for each of his films. This time, the honor falls to Jo Hisaishi, Miyazaki’s musical collaborator. And just as can be expected, Jo doesn’t disappoint. Traditional instruments are used in a number of pieces, but much like the Princess herself, Hisashi’s score finds itself hitting a number of emotional areas. In one scene, he utilizes strings with a striking of the piano keys, to get down a major moment for the Princess. And in an interesting contrast, a celebration theme is almost cause for the opposite of the moment. I’ve yet to hear a Hisaishi score I didn’t like, and this is one that fans should pick up, if they haven’t yet. Watching the flow of the characters on many unfinished backgrounds, put me in mind of another release from the previous year, the French animated film, Ernest and Celestine. Both are wonderful adaptations of some interesting source material, and the simplicity of their art is the kind of thing that I could see inspiring many to pick up a pencil. heck, I kept watching the flow of Kaguya’s hair, just admiring the line work. Every year, I always hope for one animated feature to rip my heart out, as well as find a film that is incredibly good, but that the general public will never really embrace. This year, I’m surprised (and happy) to say, that both of those distinctions, are melded into The Tale of Princess Kaguya. There’s probably another 500 words I could have put down about the film, but I had to stop myself. Though Takahata has not said anything about retirement, one has to assume that given his age (79, 6 years older than Miyazaki! ), that this might just be his swan-song: a story from his country, brought to life in a flurry of pencil, watercolor, and emotion. The Wind Rises was moreso like Miyazaki (in the spirt of that film’s lead), holding his head high, and walking stoically into the sunset. With Princess Kaguya, Takahata is willing to show (or remind) us that even if he may not have had his head in the clouds like his friend, he still managed to be both grounded at times, yet emotionally appealing, in ways that not many may comprehend. One can only hope that maybe, those that are touched by his latest film, might be able to seek out his other works, and see what they’re missing. * *Blogger’s note: Isao Takahata’s film “Only Yesterday” is not available in the United States.
Just got back from Cinema, best Ghibli movie since spirited away and on the same level of excellence as that film. Mega oof moment. Watch Kaguyahime no monogatari. "Tale of the Princess Kaguya", "かぐや姫の物語", and "Kaguya-hime no Monogatari" redirect here. For the Studio Ghibli film, see The Tale of the Princess Kaguya. "Taketori Monogatari" and "竹取物語" redirect here. For the 1987 film, see Princess from the Moon. Discovery of Princess Kaguya (depiction from the Edo period, late 17th century) The Tale of the Bamboo Cutter ( 竹取物語, Taketori Monogatari) is a 10th-century Japanese monogatari (fictional prose narrative) containing Japanese folklore. It is considered the oldest extant Japanese prose narrative [1] [2] although the oldest manuscript dates to 1592. [3] The tale is also known as The Tale of Princess Kaguya ( かぐや姫の物語, Kaguya-hime no Monogatari), after its protagonist. [4] It primarily details the life of a mysterious girl called Kaguya, who was discovered as a baby inside the stalk of a glowing bamboo plant. Narrative [ edit] Taketori no Okina takes Kaguya-hime to his home, Drawn by Tosa Hiromichi, c. 1600 One day, while walking in the bamboo forest, an old, childless bamboo cutter called Taketori no Okina ( 竹取翁, "the Old Man who Harvests Bamboo") came across a mysterious, shining stalk of bamboo. After cutting it open, he found inside it an infant the size of his thumb. He rejoiced to find such a beautiful girl and took her home. He and his wife raised her as their own child and named her Kaguya-hime (かぐや姫 accurately, Nayotake no Kaguya-hime, "Shining princess of the supple bamboo"). Thereafter, Taketori no Okina found that whenever he cut down a stalk of bamboo, inside would be a small nugget of gold. Soon he became rich. Kaguya-hime grew from a small baby into a woman of ordinary size and extraordinary beauty. At first, Taketori no Okina tried to keep her away from outsiders, but over time the news of her beauty spread. Eventually, five princes came to Taketori no Okina's residence to ask for the beautiful Kaguya-hime's hand in marriage. The princes eventually persuaded Taketori no Okina to tell a reluctant Kaguya-hime to choose from among them. Kaguya-hime concocted impossible tasks for the princes, agreeing to marry the one who managed to bring her his specified item. That night, Taketori no Okina told the five princes what each must bring. The first was told to bring her the stone begging bowl of the Buddha Shakyamuni from India, the second a jeweled branch from the mythical island of Hōrai, [5] the third the legendary robe of the fire-rat of China, the fourth a colored jewel from a dragon 's neck, and the final prince a cowry shell born of swallows. Realizing that it was an impossible task, the first prince returned with an expensive stone bowl, hoping that Kaguya-hime would believe it to be real, but after noticing that the bowl did not glow with holy light, Kaguya-hime saw through his deception. Likewise, two other princes attempted to deceive her with fakes, but also failed. The fourth gave up after encountering a storm, while the final prince lost his life (severely injured in some versions) in his attempt. After this, the Emperor of Japan, Mikado, came to see the strangely beautiful Kaguya-hime and, upon falling in love, asked her to marry him. Although he was not subjected to the impossible trials that had thwarted the princes, Kaguya-hime rejected his request for marriage as well, telling him that she was not of his country and thus could not go to the palace with him. She stayed in contact with the Emperor, but continued to rebuff his requests and marriage proposals. That summer, whenever Kaguya-hime saw the full moon, her eyes filled with tears. Though her adoptive parents worried greatly and questioned her, she was unable to tell them what was wrong. Her behaviour became increasingly erratic until she revealed that she was not of this world and must return to her people on the Moon. In some versions of this tale, it is said that she was sent to the Earth, where she would inevitably form material attachment, as a temporary punishment for some crime, while in others, she was sent to Earth for her own safety during a celestial war. The gold that Taketori no Okina had been finding had in fact been a stipend from the people of the Moon, sent down to pay for Kaguya-hime's upkeep. Kaguya-hime goes back to the Moon As the day of her return approached, the Emperor sent many guards around her house to protect her from the Moon people, but when an embassy of "Heavenly Beings" arrived at the door of Taketori no Okina's house, the guards were blinded by a strange light. Kaguya-hime announced that, though she loved her many friends on Earth, she must return with the Moon people to her true home. She wrote sad notes of apology to her parents and to the Emperor, then gave her parents her own robe as a memento. She then took a little of the elixir of life, attached it to her letter to the Emperor, and gave it to a guard officer. As she handed it to him, her feather robe was placed on her shoulders, and all of her sadness and compassion for the people of the Earth were apparently forgotten. The heavenly entourage took Kaguya-hime back to Tsuki no Miyako (月の都; lit. "the Capital of the Moon"), leaving her earthly foster parents in tears. The parents became very sad and were soon put to bed sick. The officer returned to the Emperor with the items Kaguya-hime had given him as her last mortal act, and reported what had happened. The Emperor read her letter and was overcome with sadness. He asked his servants, "Which mountain is the closest place to Heaven? ", to which one replied the Great Mountain of Suruga Province. The Emperor ordered his men to take the letter to the summit of the mountain and burn it, in the hope that his message would reach the distant princess. The men were also commanded to burn the elixir of immortality since the Emperor did not wish to live forever without being able to see her. The legend has it that the word immortality, 不死 ( fushi), became the name of the mountain, Mount Fuji. It is also said that the kanji for the mountain, 富士山 (literally "Mountain Abounding with Warriors"), are derived from the Emperor's army ascending the slopes of the mountain to carry out his order. It is said that the smoke from the burning still rises to this day. (In the past, Mount Fuji was much more volcanically active and therefore produced more smoke. ) Literary connections [ edit] Elements of the tale were drawn from earlier stories. The protagonist Taketori no Okina, given by name, appears in the earlier poetry collection Man'yōshū (c. 759; poem# 3791). In it, he meets a group of women to whom he recites a poem. This indicates that there previously existed an image or tale revolving around a bamboo cutter and celestial or mystical women. [6] [7] A similar retelling of the tale appears in the c. 12th century Konjaku Monogatarishū (volume 31, chapter 33), although their relation is under debate. [8] Banzhu Guniang [ edit] In 1957, Jinyu Fenghuang (金玉鳳凰), a Chinese book of Tibetan tales, was published. [9] In early 1970s, Japanese literary researchers became aware that "Banzhu Guniang" (班竹姑娘), one of the tales in the book, had certain similarities with The Tale of the Bamboo Cutter. [10] [11] Initially, many researchers thought that "Banzhu Guniang" must be related to Tale of Bamboo Cutter, although some were skeptical. In 1980s, studies showed that the relationship is not as simple as initially thought. Okutsu provides extensive review of the research, and notes that the book Jinyu Fenghuang was intended to be for children, and as such, the editor took some liberties in adapting the tales. No other compilation of Tibetan tales contains the story. [12] A Tibet-born person wrote that he did not know the story. [13] A researcher went to Sichuan and found that, apart from those who had already read "Jinyu Fenghuang", local researchers in Chengdu did not know the story. [14] Tibetan informants in Ngawa Tibetan and Qiang Autonomous Prefecture did not know the story either. [14] Legacy [ edit] The Tale of the Bamboo Cutter has been identified as proto- science fiction. Some of its science fiction plot elements include Kaguya-hime being a princess from the Moon who is sent to Earth for safety during a celestial war, an extraterrestrial being raised by a human on Earth, and her being taken back to the Moon by her real extraterrestrial family. A manuscript illustration also depicts a round flying machine that resembles a flying saucer. [15] See also [ edit] Big Bird in Japan The Tale of the Princess Kaguya Notes [ edit] ^ "Japan: Literature", Windows on Asia, MSU, ^ "17. A Picture Contest". The Tale of Genji. the ancestor of all romances) ^ Katagiri et al. 1994: 95. ^ Katagiri et al. 1994: 81. ^ McCullough, Helen Craig (1990). Classical Japanese Prose. Stanford University Press. pp. 30, 570. ISBN 978-0-8047-1960-5. ^ Horiuchi (1997:345-346) ^ Satake (2003:14-18) ^ Yamada (1963:301-303) ^ 田海燕, ed. (1957). 金玉鳳凰 (in Chinese). Shanghai: 少年兒童出版社. 百田弥栄子 (1971). 竹取物語の成立に関する一考察. アジア・アフリカ語学院紀要 (in Japanese). 3. 伊藤清司 (1973). かぐや姫の誕生―古代説話の起源 (in Japanese). 講談社. ^ 奥津 春雄 (2000). 竹取物語の研究: 達成と変容 竹取物語の研究 (in Japanese). 翰林書房. ISBN 978-4-87737-097-8. ^ テンジン・タシ, ed. (2001). 東チベットの民話 (in Japanese). Translated by 梶濱 亮俊. SKK. ^ a b 繁原 央 (2004). 日中説話の比較研究 (in Japanese). 汲古書院. ISBN 978-4-7629-3521-3. ^ Richardson, Matthew (2001). The Halstead Treasury of Ancient Science Fiction. Rushcutters Bay, New South Wales: Halstead Press. ISBN 978-1-875684-64-9. ( cf. "Once Upon a Time". Emerald City (85). September 2002. Retrieved 2008-09-17. ) References [ edit] Katagiri Yōichi, Fukui Teisuke, Takahashi Seiji and Shimizu Yoshiko. 1994. Taketori Monogatari, Yamato Monogatari, Ise Monogatari, Heichū Monogatari in Shinpen Nihon Koten Bungaku Zenshū series. Tokyo: Shogakukan. Donald Keene (translator), The Tale of the Bamboo Cutter, ISBN 4-7700-2329-4 Japan at a Glance Updated, ISBN 4-7700-2841-5, pages 164—165 (brief abstract) Fumiko Enchi, "Kaguya-hime", ISBN 4-265-03282-6 (in Japanese hiragana) Horiuchi, Hideaki; Akiyama Ken (1997). Shin Nihon Koten Bungaku Taikei 17: Taketori Monogatari, Ise Monogatari (in Japanese). Tōkyō: Iwanami Shoten. ISBN 978-4-00-240017-4. Satake, Akihiro; Yamada Hideo; Kudō Rikio; Ōtani Masao; Yamazaki Yoshiyuki (2003). Shin Nihon Koten Bungaku Taikei 4: Man'yōshū (in Japanese). ISBN 978-4-00-240004-4. Taketori monogatari, Japanese Text Initiative, Electronic Text Center, University of Virginia Library Yamada, Yoshio; Yamda Tadao; Yamda Hideo; Yamada Toshio (1963). Nihon Koten Bungaku Taikei 26: Konjaku Monogatari 5 (in Japanese). ISBN 978-4-00-060026-2. External links [ edit] Ryukoku University exhibition Tetsuo Kawamoto: The Moon Princess (translated by Clarence Calkins).
Why does everyone compare every japanese animated movie to studio ghibli? if this reminds you of a studio ghibli movie then you clearly must not have watched a single studio ghibli movie. YouTube. Watch kaguya-hime no monogatari. When I finished this movie, my first reaction was oh my gosh I'm never going to watch this ever again I hate the ending so much and it's so sad overall. However, this movie has been on my mind constantly and it reminded me of the type of tea that tastes bitter and disgusting at first but then you taste a sweet aroma and I've come to realize that this truly is an amazing movie. From the iconic OSTs to the storyline which I found very raw and refreshing. Additionally, the art style is so soo soooo unique for movies and I absolutely adore everything about this movie.
スタジオジブリ作品 姫の犯した罪と罰。 高畑 勲監督作品 朝倉あき 高良健吾 地井武男 宮本信子 高畑淳子 田畑智子 立川志の輔 上川隆也 伊集院光 宇崎竜童 中村七之助 橋爪 功 朝丘雪路（友情出演） 仲代達矢 原作／「竹取物語」 製作／氏家齊一郎 原案・脚本・監督／高畑 勲 脚本／坂口理子 音楽／久石 譲（サントラ／徳間ジャパンコミュニケーションズ） 主題歌／「いのちの記憶」二階堂和美（ヤマハミュージックコミュニケーションズ） スタジオジブリ・日本テレビ・電通・博報堂DYMP・ディズニー・三菱商事・東宝・KDDI 提携作品 特別協賛／KDDI・アイフルホーム 特別協力／ローソン・読売新聞 配給／東宝.
Only someone with no heart could stay indifferent from 0:59 to 2:00. Beautiful story. This song makes me soo emotional. It just awakes different kinds of emotions in me and without even knowing my tears are flowing. It's making me remember the days I spend with my frnd who is long gone. And so many other countless memories which I had long forgotten...
If I hear that you pine for me, I will return to you.
This music is, well, amazing. I just find it just so fitting for the majesty of the film, but yet the scene it is used for is SO contrapuntal. Product Details Catalog No. NEOBK-1599166 JAN/ISBN 9784198100162 Product Type BOOK Label/Distributor Tokumashoten Pages 229 Books are basically written in Japanese except for bilingual books or ones indicated as not written only in Japanese. Description Illustration book from the latest movie of Isao Takahata. Includes beautiful image board, background, and much more! Description in Japanese THE ART OFかぐや姫の物語 (ジブリTHE) / スタジオジブリ/責任編集 鉛筆と水彩で描かれた映画のアートワークを紹介。監督:高畑勲、人物造形と作画設計:田辺修、美術:男鹿和雄による解説も収録。 Translate Description *As it is a machine translation, the result may not provide an accurate description. Please use it only as a reference. *Not available within the China mainland region. Studio Ghibli Related Items Ghibli The Art Series Related Items The Tale of Princess Kaguya Related Items Customer Reviews Find out what other customers have to say about this item. Please also write your own review. This item is no longer available at our website, but it may still be available at other online shops within Japan. If you find one in Proxy Shopping Search results, go to the product page and click on "Get a Quote" button. We will then be glad to obtain it for you ( Service Details). Attention: Proxy Shopping service is provided by CDJapan and order will be place on your behalf by CDJapan, with additional handling fees. For more information, please see Service Details. Items You Recently Viewed.
When people ask me what my favorite movie is, I think Up On Poppy Hill is definitely one of them. Frozen was good, but it doesn't even come close to The Wind Rises, or any Miyazaki films for that matter. 
Alternative Titles English: The Tale of the Princess Kaguya Synonyms: Kaguyahime no Monogatari, Princess Kaguya Story Japanese: かぐや姫の物語 Information Episodes: 1 Status: Finished Airing Aired: Nov 23, 2013 Source: Other Duration: 2 hr. 17 min. Rating: G - All Ages Statistics Score: 8. 27 1 (scored by 47, 470 users) indicates a weighted score. Please note that 'Not yet aired' titles are excluded. Ranked: #262 2 2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded. Popularity: #1093 Members: 102, 284 Favorites: 1, 059 8. 27 Ranked #262 Popularity #1093 Members 102, 284 * Your list is public by default. Synopsis Deep in the countryside, a man named Okina works as a bamboo cutter in a forest, chopping away at the hollow plants day after day. One day, he discovers a small baby inside a glowing shoot. He immediately takes her home, convinced that she is a princess sent to Earth as a divine blessing from heaven. Okina and his wife Ouna take it upon themselves to raise the infant as their own, watching over her as she quickly grows into an energetic young girl. Given the name Kaguya, she fits right in with the village she has come to call home, going on adventures with the other children and enjoying what youth has to offer. But when Okina finds a large fortune of gold and treasure in the forest, Kaguya's life is completely changed. Believing this to be yet another gift from heaven, he takes it upon himself to turn his daughter into a real princess using the wealth he has just obtained, relocating the family to a mansion in the capital. As she leaves her friends behind to enter into an unwanted life of royalty, Kaguya's origins and purpose slowly come to light. [Written by MAL Rewrite] Background Kaguya-hime no Monogatari is based on the 10th century Japanese folk tale of the same title. It was nominated for Best Animated Feature at the 87th Academy Awards, the first such nomination for Takahata. The film received over 20 nominations worldwide from critics associations, film festivals, and academies, winning seven times. Related Anime Characters & Voice Actors Staff Edit Opening Theme No opening themes have been added to this title. Help improve our database by adding an opening theme here. Ending Theme "Inochi no Kioku (いのちの記憶)" by Kazumi Nikaidou (二階堂和美) More reviews Reviews Jan 10, 2018 1 of 1 episodes seen The Tale of Princess Kaguya: Peaks and Valleys **This “review" is SPOILER-HEAVY and is recommended for those who have already seen the film** **This “review” is also FAR from complete and I will be continually updating it in the future as I better collect more of my thoughts. ** This analysis may be somewhat messily written or seem to lack any sort of overarching structure. It is merely my personal thoughts and things I’ve realized while watching the film. As one of the more recent additions, “The Tale of Princess Kaguya, ” may not be the first title to come up with when you think of Studio Ghibli, yet I’m convinced read more Mar 11, 2019 --- This review spoils the entirety of Kaguya Hime no Monogatari, and is advised to be read after completion of the film --- "It is like a circle, when one ends, the other one begins. So you can always count on it to keep on moving. " If there ever was a quote to perfectly describe the surreal and metaphorical journey that is Kaguya Hime no Monogatari, then this quote would be it. Kaguya-hime no Monogatari, or The Tale of the Princess Kaguya, is a Studio Ghibli film that was created and directed by none other than the legendary Isao Takahata, and was released during the year of Dec 11, 2014 Studio Ghibli have always been at the very forefront in the anime film industry. Their creations have been able to reach out to any and all demographics with great success for decades, and have numerous masterpieces under their belt by now. Most of these are creations of the one and only Miyazaki Hayao, however Hotaru no Haka (Grave of the Fireflies) released back in 1988, one of the most critically acclaimed Ghibli films was written and directed by the studio's co-founder Takahata Isao. But this was something that was known as a one-hit wonder, as his other works never got anywhere near the same level Jan 2, 2016 This Studio Ghibli motion picture is relatively well-acclaimed outside the anime world. As of now it boasts 100% rating on rotten tomatoes and it was nominated for 87th Academy Awards. Unfortunately, for all of its praise it's a surprisingly mediocre work. The movie has some merits - it has delightful watercolor-like visual style. It's very pleasant to watch, one can simply sit and enjoy the flow of images. Animation is vivid and the art style captures the mood of the period and atmosphere of the folk tale very well. What this movie fails to capture however, is the very point it's trying to make. Because the Recommendations Recent News Recent Forum Discussion Recent Featured Articles Top 20 Best Anime Movies to Kick-Start 2016 Tons of good anime movies have been made over the years. But why settle for good? We present to you a list of not 5, not 10, but 20 of some of the best anime movies in existence! Dig in and find some new and interesting Japanese animated movies to watch this year!
They really showed the whole thing xD. Just watched this movie. It was so beautiful and stunning. I will now have to watch all of Miyazaki's films. 
Nominated for 1 Oscar. Another 13 wins & 36 nominations. See more awards » Learn more More Like This Animation | Drama Family 2 3 4 5 6 7 8 9 10 7. 7 / 10 X Due to 12 y. o. Anna's asthma, she's sent to stay with relatives of her guardian in the Japanese countryside. She likes to be alone, sketching. She befriends Marnie. Who is the mysterious, blonde Marnie. Directors: James Simone, Hiromasa Yonebayashi Stars: Sara Takatsuki, Kasumi Arimura, Nanako Matsushima 8 / 10 A love story between a girl who loves reading books, and a boy who has previously checked out all of the library books she chooses. Director: Yoshifumi Kondô Yoko Honna, Issey Takahashi, Takashi Tachibana 7. 4 / 10 A group of Yokohama teens look to save their school's clubhouse from the wrecking ball in preparations for the 1964 Tokyo Olympics. Gorô Miyazaki Sarah Bolger, Chris Noth, Anton Yelchin Adventure 7. 6 / 10 The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their teenage daughter, Arrietty, is discovered. Bridgit Mendler, Amy Poehler, Will Arnett 8. 1 / 10 After her werewolf lover unexpectedly dies in an accident while hunting for food for their children, a young woman must find ways to raise the werewolf son and daughter that she had with him while keeping their trait hidden from society. Mamoru Hosoda Aoi Miyazaki, Takao Ohsawa, Haru Kuroki 7. 9 / 10 A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service. Hayao Miyazaki Kirsten Dunst, Minami Takayama, Rei Sakuma Comedy 7. 3 / 10 A community of magical shape-shifting raccoon dogs struggle to prevent their forest home from being destroyed by urban development. Isao Takahata Shinchô Kokontei, Makoto Nonomura, Yuriko Ishida After helping a cat, a seventeen-year-old girl finds herself involuntarily engaged to a cat Prince in a magical world where her only hope of freedom lies with a dapper cat statuette come to life. Hiroyuki Morita Chizuru Ikewaki, Yoshihiko Hakamada, Aki Maeda A five-year-old boy develops a relationship with Ponyo, a young goldfish princess who longs to become a human after falling in love with him. Cate Blanchett, Matt Damon, Liam Neeson 7. 2 / 10 The life and misadventures of a family in contemporary Japan. Yukiji Asaoka, Tôru Masuoka, Masako Araki A young boy and a girl with a magic crystal must race against pirates and foreign agents in a search for a legendary floating castle. Anna Paquin, James Van Der Beek, Cloris Leachman Fantasy 8. 2 / 10 When two girls move to the country to be near their ailing mother, they have adventures with the wondrous forest spirits who live nearby. Hitoshi Takagi, Noriko Hidaka, Chika Sakamoto Edit Storyline An old man makes a living by selling bamboo. One day, he finds a princess in a bamboo. The princess is only the size of a finger. Her name is Kaguya. When Kaguya grows up, 5 men from prestigious families propose to her. Kaguya asks the men to find memorable marriage gifts for her, but the 5 men are unable to find what Kaguya wants. Then, the Emperor of Japan proposes to her. Written by Anonymous Plot Summary Plot Synopsis Taglines: A Princess' Crime and Punishment Motion Picture Rating ( MPAA) Rated PG for thematic elements, some violent action and partial nudity See all certifications » Details Release Date: 23 November 2013 (Japan) See more » Also Known As: The Tale of the Princess Kaguya Box Office Budget: JPY5, 000, 000, 000 (estimated) Opening Weekend USA: $54, 915, 19 October 2014 Cumulative Worldwide Gross: $24, 638, 337 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Goofs While the baby princess crawls to the cutter she tosses a piece of bamboo to the edge of the floor mat. In the reverse shot as she crawls back, it is missing. See more » Quotes The Princess Kaguya: [ singing] Go round, come round, come round... come round, oh distant time. Come round, call back my heart. Birds, bugs, beasts, grass, trees, flowers. Teach me how to feel. If i hear that you pine for me, i will return to you. See more ».
Can you give the lyrics please. To be honest, I like the way Miyazaki manages to talk about serious topics in a subtle and light way. It actually makes movies like Spirited Away more valuable to me because of the deeper meaning. It doesnt matter if youre a child or an adult, you can always find something interesting about these movies. And the thing is: The movie itself can still stay the same, you can still see the unrealistic stuff as real, but, on the other side, it makes you think about the sad reality. For example, to me, No-Face is still an unidentified creature that actually never really harmed Chihiro and became quite nice in the end, but, at the same time, I know that he can stand for a man who wants to take a womans virginity for money. (In a video about him someone also said that he could represent human nature in general and act like different kinds of people in different situations...
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The Tale of the Princess Kaguya Japanese theatrical release poster Japanese かぐや姫の物語 Hepburn Kaguya-hime no Monogatari Directed by Isao Takahata [1] Produced by Yoshiaki Nishimura Screenplay by Isao Takahata Riko Sakaguchi [ ja] Based on The Tale of the Bamboo Cutter Starring Aki Asakura [ Wikidata] Kengo Kora Takeo Chii Nobuko Miyamoto Music by Joe Hisaishi Edited by Toshihiko Kojima Production company Studio Ghibli Distributed by Toho Release date 23 November 2013 Running time 137 minutes [2] Country Japan Language Japanese Budget ¥5 billion ( $49 million) [3] Box office ¥2. 5 billion ( $27 million) The Tale of the Princess Kaguya ( Japanese: かぐや姫の物語, Hepburn: Kaguya-hime no Monogatari, stylized as The Tale of The Princess Kaguya) is a 2013 Japanese animated fantasy drama film co-written for the screen and directed by Isao Takahata, based on the anonymous literary tale The Tale of the Bamboo Cutter and produced by Studio Ghibli for Nippon Television Network, Dentsu, Hakuhodo DYMP, Walt Disney Japan, Mitsubishi, Toho and KDDI, and distributed by Toho. The film features an ensemble voice cast that includes Aki Asakura, Kengo Kora, Takeo Chii, Nobuko Miyamoto, Atsuko Takahata, Tomoko Tabata, Tatekawa Shinosuke, Takaya Kamikawa, Hikaru Ijūin, Ryudo Uzaki, Nakamura Shichinosuke II, Isao Hashizume, Yukiji Asaoka (in a special appearance) and Tatsuya Nakadai. [4] [5] [6] [7] The film features the final film performance by Chii, who died in June 2012, and was the final film directed by Takahata, who died in April 2018. It was released in Japan on 23 November 2013, distributed by Toho. At the budget of US$ 49. 3 million, it is the most expensive Japanese movie to date. [ when? ] The film was nominated for the Academy Award for Best Animated Feature at the 87th Academy Awards. The production of the film was the subject of the feature-length documentary film Isao Takahata and His Tale of the Princess Kaguya. [8] Plot [ edit] A bamboo cutter named Sanuki no Miyatsuko discovers a miniature girl inside a glowing bamboo shoot. Believing her to be a divine presence, he and his wife decide to raise her as their own, calling her "Princess". The girl grows rapidly, causing her parents to marvel and earning her the nickname "Takenoko" (Little Bamboo) from the other village children. Sutemaru, the oldest among Kaguya's friends, develops a close relationship with her. Miyatsuko comes upon gold and fine cloth in the bamboo grove in the same way he found his daughter. He takes these as proof of her divine royalty and begins planning to make her a proper princess. He relocates the family to the capital, forcing her to leave her friends behind. She finds herself in a mansion, replete with servants. She is also saddled with a governess who is tasked with taming her into a noblewoman. She struggles with the restraints of nobility, arguing that life should be full of laughter and struggle. When the girl comes of age, she is granted the formal name of "Princess Kaguya" for the light and life that radiates from her. Miyatsuko holds a celebration in commemoration of her naming. At the celebration, Kaguya overhears partygoers ridiculing her father's attempts to turn a peasant girl into a noble through money. Kaguya flees the capital in despair and runs back to the mountains, seeking Sutemaru and her other friends, but discovers that they have all moved away. She passes out in the snow and awakens back at the party. Kaguya grows in beauty, attracting suitors. Five men of noble standing court her, comparing her to mythical treasures. Kaguya tells them she will only marry whoever can bring her the mythical treasure mentioned. Two suitors attempt to persuade her with counterfeits. The third abandons his conquest out of cowardice, and the fourth attempts to woo her with flattering lies. When one of the men is killed in his quest, Kaguya falls into depression. Eventually, the Emperor takes notice of her. Taken with her beauty, he makes advances toward her, revolting her. Kaguya then demonstrates the ability to disappear at will, surprising the Emperor. Understanding that he has been too forward, the Emperor leaves. Kaguya reveals to her parents that she originally came from the Moon after it spoke to her. Once a resident there, she broke its laws, hoping to be exiled to Earth so that she could experience mortal life. When the Emperor made his advances, she silently begged the Moon to help her. Having heard her prayer, the Moon will reclaim her during the next full moon. Kaguya confesses her attachment to Earth and her reluctance to leave. Miyatsuko swears to protect Kaguya and begins assembling defensive forces. Kaguya returns to her hometown and finds Sutemaru, who vows to protect her. Kaguya demonstrates the ability to fly but loses it when she flies by the Moon. Sutemaru, who flew with her, wakes up later, thinking it was a dream. On the night of the full moon, a procession of celestial beings led by the Buddha descends from the Moon, and Miyatsuko is unable to stop it. An attendant offers Kaguya a robe that will erase her memories of Earth but she begs the attendant to grant her a last moment with her parents. The attendant, however, drapes the robe around her, and she appears to forget about her life on Earth. They leave, and Miyatsuko and his wife are distraught. Kaguya looks back one last time, and cries silently as she recognizes the love from her parents. Voice cast [ edit] Character Japanese cast [9] English dub cast Princess Kaguya Aki Asakura [ ja] Chloë Grace Moretz Caitlyn Leone (young) Sutemaru Darren Criss The Bamboo Cutter Takeo Chii [a] James Caan The Bamboo Cutter's Wife / The Narrator Mary Steenburgen Lady Sagami Atsuko Takahata Lucy Liu Me no Warawa Tomoko Tabata Hynden Walch Inbe no Akita Tatekawa Shinosuke George Segal Prince Ishitsukuri Takaya Kamikawa James Marsden Lord Minister of the Right Abe Hikaru Ijūin Oliver Platt Great Counselor Otomo Ryudo Uzaki Daniel Dae Kim The Mikado Nakamura Shichinosuke II Dean Cain Prince Kuramochi Isao Hashizume Beau Bridges Middle Counselor Isonokami Tamaki Kojo John Cho ^ Yuji Miyake recorded additional dialogue for the bamboo cutter following Takeo Chii's death. [10] Production [ edit] As a child, Takahata read The Tale of the Bamboo Cutter. He recalled that he struggled to relate and sympathize with the protagonist; to him, the "heroine’s transformation was enigmatic" and that it "didn’t evoke any empathy from [him]". [11] In 1960, Takahata was preparing for a potential adaptation for his employer Toei Animation, which eventually was abandoned. [12] After rereading the tale, he realized the story's potential to be entertaining, as long as an adaptation allowed the audience to understand how Princess Kaguya felt. [11] [13] Studio Ghibli revealed that Isao Takahata was working on a feature-length film in 2008. [14] Takahata announced at the 62nd Locarno International Film Festival in 2009 that he intended to direct a film based on the anonymous Japanese literary tale The Tale of the Bamboo Cutter. [15] The Tale of the Princess Kaguya was financed by Nippon TV, whose late chairman, Seiichiro Ujiie, gave ¥ 5, 000, 000, 000 (approximately US$ 40, 000, 000) towards the project. [16] Ujiie loved Takahata's work, and pleaded with Ghibli producer Toshio Suzuki to let Takahata make one more film. [17] Ujiie died on 3 March 2011, but not before being able to view the script and some of the storyboards. [18] To make sure the audience emotionally connected with the film, it was important to Takahata that viewers were able to "imagine or recall the reality deep within the drawings", rather than be distracted by a realistic art style. [19] He wanted to have people "recollect the realities of this life by sketching ordinary human qualities with simple props". [20] To assist with this vision, Osamu Tanabe provided the character designs and animation, and Kazuo Oga drew the watercolor backgrounds. [16] The release of The Tale of the Princess Kaguya was finally confirmed by Studio Ghibli and distributor Toho on 13 December 2012. [21] Soundtrack [ edit] In 2012, Shin-ichiro Ikebe was announced to write the film's score. However, in 2013, Joe Hisaishi replaced Ikebe as the composer. This is the first and only time that Hisaishi has scored a film directed by Isao Takahata. [22] The theme song "When I Remember This Life" was written and performed by Nikaido Kazumi. [23] [24] [25] The music from the film's original soundtrack was released on 20 November 2013. All tracks are written by Joe Hisaishi, except where noted. Track listing No. Title Length 1. "Overture" 0:53 2. "Light" 0:22 3. "The Little Princess" 1:15 4. "The Joy of Living" 1:01 5. "The Sprout" 2:19 6. "Li'l Bamboo" 2:06 7. "Life" 0:59 8. "Mountain Hamlet" 1:53 9. "Robe" 0:34 10. "Setting Out" 1:19 11. "Autumn Harvest" 0:39 12. "Supple Bamboo" 1:22 13. "Writing Practice" 0:47 14. "The Garden of Life" 0:25 15. "The Banquet" 1:22 16. "Despair" 1:07 17. "The Coming of Spring" 1:03 18. "Melody of the Beautiful Koto" 0:34 19. "Spring Waltz" 2:02 20. "Memories of the Village" 1:36 21. "The Nobles' Wild Ride" 1:29 22. "Devotion" 1:28 23. "Cicada Night" 1:12 24. "Mystery of the Moon" 0:48 25. "Sorrow" 1:00 26. "Fate" 1:17 27. "The City of the Moon" 0:28 28. "Going Home" 1:19 29. "Flying" 4:26 30. "The Procession of Celestial Beings I" 2:28 31. "The Parting" 1:07 32. "The Procession of Celestial Beings II" 0:57 33. "Moon" 1:49 34. "When I Remember This Life" (Written and performed by Nikaido Kazumi [25]) 5:42 35. "Koto Melody" 0:57 36. "Nursery Rhyme" 0:48 37. "Song of the Heavenly Maiden" 1:34 Release [ edit] The Tale of The Princess Kaguya was initially announced to be released simultaneously with The Wind Rises, another Ghibli film by Hayao Miyazaki in Japan in the summer of 2013, [26] which would have marked the first time that the works of the two directors were released together since the release of the films My Neighbor Totoro and Grave of the Fireflies in 1988. [26] However, in February 2013, distributor Toho announced that the release of Kaguya-Hime no Monogatari would be delayed to Fall 2013, citing concerns that the storyboards were not yet complete. [27] [28] On 12 March 2014, independent distributor GKIDS announced that it had acquired the US rights for the film and that it would release an English dub version produced by Studio Ghibli and Frank Marshall. [29] Chloë Grace Moretz is the voice of the title character in the English dub. It was released in select theatres in North America on 17 October 2014 and was also released on DVD and Blu-ray in Japan on 3 December 2014. [30] [31] The film was selected to be screened as part of the Directors' Fortnight section of the 2014 Cannes Film Festival. [32] Its North American première took place at the 2014 Toronto International Film Festival during the festival's "Masters" program. [33] Reception [ edit] Box office [ edit] The film debuted at first place during its opening weekend in Japan, grossing ¥ 284 million ( US$ 2. 8 million). [34] By 2 February 2014, the film had grossed ¥ 2 313 602 733 (US$22 613 153) at the Japanese box office. [35] The film went on to gross ¥2. 47 billion ( $25, 348, 933) in Japan. [36] Overseas, the film grossed $ 703 232 in North America, [37] and $ 969 920 in other territories, [38] for a worldwide total of $26, 980, 529. Critical reception [ edit] Review aggregator Rotten Tomatoes assigned the film a score of 100% "Certified Fresh" with an average rating of 8. 21/10 based on 92 reviews. The critics' consensus says, "Boasting narrative depth, frank honesty, and exquisite visual beauty, The Tale of the Princess Kaguya is a modern animated treasure with timeless appeal. " [39] In February 2014, The Tale of the Princess Kaguya placed 4th in both Kinema Junpo 's Best Ten and their Reader's Choice Awards. [40] David Ehrlich of The A. V. Club gave the film an A, deeming it "the best animated movie of the year, " adding that it is "destined to be remembered as one of the revered Studio Ghibli’s finest achievements. " [41] Nicolas Rapold of The New York Times praised the artwork calling it "exquisitely drawn with both watercolor delicacy and a brisk sense of line. " [42] Accolades [ edit] See also [ edit] The Kingdom of Dreams and Madness, a 2013 documentary about the making of the film List of films directed by Isao Takahata Princess from the Moon, a 1987 major live-action film based on The Tale of the Bamboo Cutter List of films with a 100% rating on Rotten Tomatoes, a film review aggregator website References [ edit] ^ " Kaguya-hime no Monogatari: Credit" かぐや姫の物語 クレジット (in Japanese). Archived from the original on 25 January 2014. Retrieved 22 January 2014. ^ " PRINCESS KAGUYA [Subtitled]". British Board of Film Classification. 22 January 2015. Archived from the original on 22 January 2015. Retrieved 22 January 2015. ^ Ma, Kevin (23 July 2014). "Pokemon defeats Ghibli at Japan box office". Film Business Asia. Archived from the original on 19 August 2014. Retrieved 25 July 2014. ^ " The Tale of The Princess Kaguya press kit" (Press release). Paris: Wild Bunch International Sales. 2013. Retrieved 27 February 2019. ^ "かぐや姫の物語 (2013)" (in Japanese). allcinema. Archived from the original on 4 December 2013. Retrieved 17 January 2015. ^ "Ghibli Lists Jobs for Isao Takahata's Summer 2013 Film". Anime News Network. 21 November 2011. Archived from the original on 10 October 2012. Retrieved 28 October 2012. ^ Fischer, Russ (21 November 2012). "Studio Ghibli Titles New Films From Hayao Miyazaki and Isao Takahata; Grave of the Fireflies Picked Up For US Re-Release". /Film. Archived from the original on 18 January 2013. Retrieved 24 November 2012. ^ " Isao Takahata and His Tale of the Princess Kaguya". Wild Bunch International Sales. 2015. 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Retrieved 8 April 2019. ^ ジブリ新作、2作一挙公開！宮崎駿＆高畑勲作品でジブリ史上初！. Cinema Today (in Japanese). 13 December 2012. Retrieved 27 December 2012. CS1 maint: BOT: original-url status unknown ( link) ^ "Takahata, Ghibli's Kaguya-Hime Now Lists Composer Hisaishi". 7 February 2013. Archived from the original on 9 February 2013. Retrieved 8 February 2013. ^ ジブリ新作『かぐや姫の物語』主題歌決定！現役僧侶の二階堂和美が大抜てき！. 23 May 2013. Archived from the original on 15 July 2013. Retrieved 15 August 2013. CS1 maint: BOT: original-url status unknown ( link) ^ "かぐや姫の物語 サウンドトラック". Oricon. Archived from the original on 18 May 2015. Retrieved 7 May 2015. ^ a b "Nikaido Kazumi Official Website" (in Japanese). Retrieved 27 February 2019. ^ a b "Ghibli Announces Miyazaki's Kaze Tachinu, Takahata's Kaguya-hime no Monogatari". Archived from the original on 3 January 2013. Retrieved 27 December 2012. ^ "高畑勲監督「かぐや姫」公開延期 「絵コンテ完成まだ」". Asahi Shimbun (in Japanese). 5 February 2013. Archived from the original on 7 April 2013. Retrieved 9 February 2013. ^ 高畑勲監督「かぐや姫の物語」公開が秋に延期！ (in Japanese). Eiga. 4 February 2013. Archived from the original on 6 February 2013. Retrieved 8 February 2013. CS1 maint: BOT: original-url status unknown ( link) ^ Amidi, Amid (12 March 2014). "GKIDS Acquires Takahata's 'The Tale of The Princess Kaguya' for US Distribution". Cartoon Brew. Archived from the original on 16 March 2014. Retrieved 19 March 2014. ^ Amidi, Amid (15 July 2014). " ' Tale of The Princess Kaguya' Sets English-Language Voice Cast, October Release Date". Archived from the original on 18 July 2014. Retrieved 15 July 2014. ^ " ' The Tale of Princess Kaguya' Sets English-Language Voice Cast – /Film". Slashfilm. Archived from the original on 27 August 2014. Retrieved 5 September 2014. ^ "Cannes Directors' Fortnight 2014 lineup unveiled". Screendaily. Archived from the original on 24 April 2014. Retrieved 26 April 2014. ^ a b "Isao Takahata's 'Princess Kaguya' to make North American première at Toronto film fest". 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"Mad Max: Fury Road leads the pack at the 2016 Jameson Empire Awards". Metro. Archived from the original on 27 January 2017. Retrieved 15 March 2016. External links [ edit] Official website (in Japanese) United States and Canada official webpage at GKIDS The Tale of the Princess Kaguya at Anime News Network 's encyclopedia The Tale of the Princess Kaguya at The Big Cartoon DataBase The Tale of the Princess Kaguya on IMDb The Tale of the Princess Kaguya at Metacritic The Tale of the Princess Kaguya at Box Office Mojo The Tale of the Princess Kaguya at Rotten Tomatoes.
Breaks my heart that this was his last film. Farewell to a true artist and one of the most gifted storytellers of our time. 
- Reporter: psychicznie nijaka
- Resume: ❝ Przez ciebie płynie strumień piękności, ale ty nie jesteś pięknością. ❞ — Zygmunt Krasiński
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